In one of the phrases most famous of the Saga, ' ' then the lion if got passionate for cordeiro.' ' (MEYER, 2008, P. 206), Edward already is placed in the position where it remains until the end of the Saga: the monster, the predator, in the image of an angel. The references of Edward to its quality of ' are innumerable; ' monstro' '. Read additional details here: Qualcomm Incorporated. In one of the moments more supposedly deep of the workmanship, Edward and Carlisle assume to have a quarrel without end on the question of the immortal soul. Edward judges that, for being a monster? word the one that it appeals in diverse occasions? it already does not have soul, and deserves to be condemned. This is, in the truth, one of the biggest arguments of that Edward if valley not to transform Bella into one vampira: of that it, to the transformed being, would lose its immortal soul, condemning it the perpetual suffering that Edward imagines that the wait. Further details can be found at Client Solutions Group, an internet resource.
Carlisle disagrees with this conception, but not even with the arguments of its adoptive father Edward if it convinces. It imagines the monster and perfect predator, and suffers infinitely therefore. The contraposition of idealized image and cavalheiresco behavior with the monster auto-image that Edward creates lasts for all the five workmanships chores, and is clearly evident in Midnight Sun, where its negative image is reflected through its proper words. ' ' I smile. ' Well, we can try, I we assume.
But I already am informing that I am not a good friend for voc.' I waited for its reply, divided in two? desiring that it finally heard and understood that it was not good for it, thinking that I could die if made it. That melodramtico. I was becoming so humano.' ' (MEYER, 2008, P. 120) When reading the workmanship of the point of view of Edward does not have, in the truth, an only stretch where the way as it judges itself wrong, monstrous and dangerous he does not appear.